Case file · Apparition · Public building
KiMo Theatre
Also known as KiMo Theater, Little Bobby of the KiMo
Albuquerque’s 1927 Pueblo Deco movie palace, where a boy killed in a 1951 lobby explosion is said to linger – and where casts still hang doughnuts for him.
The KiMo opened on Central Avenue on September 19, 1927, a “Pueblo Deco” picture palace built by Italian-born businessman Oreste Bachechi and designed by Carl Boller with motifs drawn from Pueblo and Navajo art. Its name came from a newspaper contest won by Pablo Abeita, a former governor of Isleta Pueblo, who combined Tiwa words meaning “mountain lion.” Bachechi died a year after it opened, and his family ran the theater for decades.
On August 2, 1951, during an Abbott and Costello film, a water heater exploded in the lobby. Six-year-old Bobby Darnall was killed, and several other people were injured. A fire in the early 1960s later damaged the stage, the theater closed in 1970, and in 1977 Albuquerque voters chose to buy and restore it rather than see it demolished. It is now a city-run performing-arts venue on the National Register of Historic Places.
Bobby’s death became the theater’s ghost story. Performers and crew describe a small boy in a striped shirt and jeans playing on the lobby stairs, and blame him for tripped actors, dropped lines and missing props. The best-known tale says that during a production of A Christmas Carol – usually dated to 1974 – staff took down the doughnuts that crews had hung on a backstage pipe as an offering to Bobby, and the show promptly went wrong. Ever since, the story goes, casts have left doughnuts and trinkets at a backstage shrine for him.
When skeptic Benjamin Radford investigated with writer Mike Smith for Skeptical Inquirer (2009), he found that on Christmas Day 1974 the KiMo was running adult films, not plays. The pair traced the production to December 1986; its lead actor and its director both remembered nothing unusual, no review mentioned any mishap, and only the stage technician who first told the story recalled a ruined show. Radford concluded that the legend is folklore and misremembering. He also found that Bobby’s surviving siblings felt exploited by the story told about their brother’s death. The doughnut tradition continues all the same, as theater custom rather than evidence.
What people report
A small boy in a striped shirt on the lobby staircase, actors tripped on stage, props and lighting cues going wrong – reported mainly by performers and crew, and linked by tradition to the doughnut offerings backstage.
Where and when
The lobby and its staircase, where the 1951 explosion happened, and backstage around the pipe and shrine where offerings are left; most stories are told around rehearsals and performances.
Timeline of the haunting
- September 19, 1927The KiMo opens Albuquerque, New Mexico
Oreste Bachechi’s Pueblo Deco theater opened on Central Avenue, among the most striking cinemas in the Southwest.
- August 2, 1951The lobby explosion Albuquerque, New Mexico
A water heater explosion killed six-year-old Bobby Darnall and injured others. The Albuquerque Journal reported the blast on August 3, 1951.
- 1977Saved by the city Albuquerque, New Mexico
After years of decline and fire damage, Albuquerque voters approved buying the theater, and it was listed on the National Register.
- 1986The real Christmas Carol Albuquerque, New Mexico
Benjamin Radford found that the production at the heart of the doughnut legend took place this December, not in 1974, and that its lead actor and director recalled no ghostly disruptions.
What could explain it?
- Radford’s investigation found the central “disrupted performance” story was misdated and not supported by people who were there.
- Theatre is full of superstitions and rituals; mishaps on stage are common and easily blamed on a resident ghost.
- The doughnut offerings keep the story alive and give each new cast a reason to look for Bobby.
- The story rests on the death of a real child, and his family has said they find it hurtful.
Ghost tours, books and screen
The doughnut shrine has become part of the KiMo’s backstage culture and is mentioned in nearly every article about haunted Albuquerque. The theater remains a major venue for concerts, films and local productions.
Places to visit
A city-owned venue hosting performances, films and community events; see the events calendar.
Where it’s reported
KiMo Theatre in the news
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Sources
First published · Updated